Serlachius museot

Feel free to
come farther

+358 (0)3 488 6800 | Gustaf, R. Erik. Serlachiuksen katu 2 | Gösta, Joenniementie 47 | Mänttä

Open summertime 1 June–31 August daily 10am–6pm.

Sulje

+358 (0)3 488 6800 | Gustaf, R. Erik. Serlachiuksen katu 2 | Gösta, Joenniementie 47 | Mänttä

Open
summertime 1 June–31 August daily 10am–6pm
wintertime 1 September–31 May Tue–Sun 11am–6pm
Closed 6 Dec, 24–25 Dec, 31 Dec, 25 Mar and 30 Apr

Feel free to
come farther

Pearl of the month

In inland Finland, seagulls in the sky are a sure sign of spring. Artist Lennart Segerstråle was an eager observer of these birds.
 

See the artwork in bigger size

  • Sege-1_1.jpg

April 2014

Segerstråle’s birds

 

While Professor Segerstråle (1892–1975) is best known for his monumental works – both secular and ecclesiastical – he was also an esteemed graphic artist with a long career behind him. In his gravure printing graphics, he often depicted animals, especially birds.

In 2000, Gösta Serlachius Fine Arts Foundation acquired the Segerstråle estate, which consisted of over 6,000 works or partial works, including aquarelles and oil paintings, sketches for monumental works, nearly all of the artist’s graphics proofs, some 50 sketch books, and hundreds of separate sketches.

The artist’s sketchbooks feature several sketches and studies of birds, including seagulls flying in the wind and baby seagulls on the cliffs, with their big feet, as yet unable to fly, their feathers ruffled. Segerstråle also liked to depict divers, cranes, geese, goldeneyes and, in his later years, noble eagles, hunting falcons, owls and bullfinches.

Segerstråle spent many of his summers by the seaside, often at his family’s summer residence in Pellinki. He is said to have ‘conversed’ with birds even when he was a little boy. Like nature photographers, he made his way to woods and skerries to photograph and sketch birds and their movements. His first works of art were paintings of birds.

The young man learned about the anatomy of birds, what kind of plumage males and females wear in each season, how birds move, and what kind of behaviour is typical of each species. His objective was to portray everything correctly, just as things are in nature.

As a young man, Segerstråle also shot birds and learned to stuff them, just like the early Finnish bird painters whom he admired, the von Wright brothers. Another of his artistic role models was Bruno Liljefors (1860–1939) from Sweden, a respected painter of hares and swans. Segerstråle travelled to Stockholm to get his advice on painting birds. Even when the future artist was studying forestry at the University of Helsinki, he did not abandon art; he took drawing classes from Eero Järnefelt (1964–1937) in the university’s drawing hall.

In his later years, Segerstråle changed his approach from the natural style he had adapted when young to modernism. The wedges of cranes, swans and geese flying through the skies were replaced by Icarus, who burned his wings flying too close to the sun, and later angels and birds of paradise in his monumental works of an ecclesiastical nature.
 


Marjo-Riitta Simpanen
Curator and art historian